Monday, June 13, 2011

The Hum (Stop -- What's That Sound?)











Residents of Woodland in County Durham are being disturbed by a mysterious constant throbbing noise Photo: NNP



Tiny village is latest victim of the 'The hum'



6:00PM BST 09 Jun 2011


        Now a tiny English village is the latest community to claim to be being hit by the phenomenon known as "the hum". 

                Residents of Woodland, in County Durham, claim that every night a noise permeates the air similar to the throb of a car engine.

                It is sometimes so strong that it even shakes the bed of one of the householders.







Seaham Hall and Serenity Spa, County Durham



                But no matter how hard they look, the community cannot find the source of the problem and, at their wits end, have called in the council to investigate.

               The 300-strong population is the latest around the world to be hit by the rumble which has in the past led to wild conspiracy theories blaming it on UFOs, government experiments and abandoned mine shafts.








Barnard Castle (side view), County Durham



               It is so widespread that it has even featured on the television show The X Files.

                Its most famous occurrence was in Bristol in the 1970s when more than a thousand people complained of the consistent drone causing nosebleeds, sleeplessness and headaches.

                 It vanished as mysteriously as it arrived and was never explained.

                Residents of Woodland, a community consisting of one main street surrounded by farmland, claims their version of "the hum" is constant from midnight until 4am every night and stops them sleeping.

                 There are no pylons, factories or abandoned mines nearby.







Horse, County Durham, 2002 (photo credit Chris Steele Perkins)


                The noise started about two months ago and has been plaguing the isolated village every day since.

                Marylin Grech, 57, a retired store detective, said: "In certain areas of the house you can hear it more loudly. It is definitely from outside, it's in the air, all around, very faint.

               "It vibrates through the house. We've turned all the electricity off in the house and we can still hear it, so it's not that.

               "Sometimes we'll be in bed and it vibrates right through our bed, like a throbbing.

                "It's not tinnitus, that's a high pitched sound and this is very low. If I put my fingers in my ears it stops, so I know it's not in my head.

               "At 4am it's so clear, because we live in such an isolated place with no traffic, it's heaven.






Sunrise, County Durham



               "But it leaves a buzzing in your head for the rest of the day."

                 Gary Hutchinson, an environmental protection manager at Durham County Council, said: "I can confirm that we received a call regarding a humming sound in the Woodland area earlier on June 1 and we will now make further enquiries before deciding what action we will take."


NOTE:   

         Reading The Telegraph's "Hum" story yesterday arrested me for several reasons.  First, I was previously unaware of the Hum, a phenomenon that seems to have been widely reported and the subject of speculation and analysis for quite some time.

         The Wikipedia article, which is linked in the previous sentence, provides supplemental information regarding the Hum, and also discusses similar auditory phenomena of unknown origin, such as the Julia, the Schumann resonances, Singing Sand, the Slow Down and  the Bloop.








 
Singing Sand Dune, Kazakhstan




          Of these, I was only previously familiar with the Bloop, which I learned about early last year on Tom Clark's  Beyond The Pale blog  (please see third comment down beneath the poem Opus), which I happily recommend to you for Bloop auditing and other further reading, research and grand enjoyment.  

         Those who would like to sample the widely-reported Taos Hum, please listen Here.

            Singing Sand seekers, select this.






Durham, 1857






Brooklyn Bridge, Brooklyn and Lower Manhattan, early 20th century
 
 

           On further reflection, however, I realized that I had previously encountered the Hum, albeit in other contexts.  Many years ago a woman I know, a friend and former work colleague, when describing her spiritual views spoke to me about believing in a "universal hum."  From other parts of our conversation, I understood her to mean a loose sort of  non-hierarchical, non-anthropomorphic underlying connection between all things -- all sentient and (supposedly) non-sentient beings -- that informed and undergirded her pantheist way of viewing the world.  My friend Mindy is a practical and analytical, as well as an intuitive person, and I'm pleased to report that she later followed through on her beliefs by changing careers in mid-life, trading a secure and established position in the corporate entertainment world, where she excelled, and becoming a talented (and licensed) Chinese acupuncturist in Manhattan and Woodstock, New York.  In light of an email exchange between us last week, I think the Hum still figures in her life. 







Eagle Warehouse and Storage






John Marin, Lower Manhattan, Watercolor and charcoal on paper, 1920, Museum of Modern Art, New York City



        The Telegraph story also reminded me of the time in the early 1980s when Caroline and I were first considering buying an apartment in New York.  We were excited when a realtor showed us a spectacular place in the former Eagle Warehouse and Storage building (built in 1894 on the site of the original Brooklyn Eagle newspaper offices, the paper Walt Whitman edited) in Brooklyn Heights, overlooking from a high floor the New York waterfront and lower Manhattan.   This occurred during a period when many industrial spaces formerly owned by dying New York City industries and/or businesses that formerly supported those dying industries were sold or leased to real estate developers so that city dwellers could trade in their cubicle apartments for spacious, luxurious-seeming loft spaces, new and modern appliances and grand views. 







Hell-Mouth USA aka 1273 Third Avenue today ("Pre-war walk-up building; 4 stories, 14 units; Studio apartments; Conveniently located 4 blocks from the 4,5, and 6 trains; These studios offer cozy residences just blocks from Central Park and within easy walking distance of many transportation lines." 



        Much more upscale and glamorous than anywhere Caroline and I had previously lived (I would cite especially our first apartment at 1273 Third Avenue in Manhattan, where the lobby was depressingly spray-paint-festooned with swastikas and anti-Semitic slogans attacking the landlord who, it must be admitted, was deficient in every possible way), Eagle Warehouse was only steps away from the celebrated River Cafe, a magical place where during clement weather you could enjoy slightly overpriced -- but nothing like today -- al fresco drinks, regard the remnants of John Marin's lower Manhattan skyline, and just watch the East River flow.   Entering the proffered apartment, however, we immediately realized that we could never live there because of the insinuating, assaultive  and deeply penetrating (rather than sussuring and comforting) Brooklyn Bridge Hum, which would have driven us crazy. (From what we heard later, the bridge hum did drive a lot of people around the bend and affected business in the building. Still, New Yorkers are hardy and can overcome and/or ignore almost anything when they decide to do so.)  








  

River Cafe, Brooklyn Heights, 2 views 

 

        Now, the Telegraph's and Wikipedia's "mass tinnitus" speculation seems exceedingly far-fetched to me.  But it did make me recall Caroline's work in the 1990s with the great  Pete Townshend of The Who, at one point the world's most famous (and certainly the most vocal and voluble) tinnitus sufferer.  Interestingly, by the time Caroline assisted Townshend and the rest of the spikily splintered group (she handled publicity on the superb 30 Years of Maximum R&B project for MCA Records), Pete's tinnitus seemed to be entirely a thing of the past and he expended his famous volubility on other subjects and activities.  There was, however, a lot of conversation in and among the group about the late John Entwistle (the man with the most articulate handshake -- you could feel powerful and detailed Who bass lines entering your body on the encounter -- in the world*) being mostly deaf from 30 Years of Maximum R& B played at volume level "11", and this seemed to be true.  It was said that by this time Entwistle was deftly and effectively picking up his most of his musical cues through floorboard vibrations coupled with memory and, of course, his sheer genius.








        Personally, lately I am "in and out" of the Hum, which I sort of recognize as the general rhythm of things, because of the recent sweltering heat (which seems to be affecting me more and more this year) and challenging, sometimes faltering, professional and personal relations that I seem powerless to influence. (Sometimes I find Joni Mitchell's cliched lyric "maybe it's the time of year or maybe it's the time of man" sticking and repeating  in my head; I wish it wouldn't).  Also, Jane's away, as she will be for most of this summer, and this has me a little out of sorts.  One thing bringing me back to the Hum is the re-emergence of our Tuxedo Park House Spirit, who has been behaving in extravagant ways lately, making its presence known as never before.  This is a benign, supportive spirit and absolutely a welcome guest (if it's in fact the spirit and not we who are the guests).  However, it would be very much appreciated if doors to the outside (windows also) could remain in open and closed positions selected by the Roberts' at their sole decision and direction.  You see (O spirit!), the dogs are crazy and need to be kept safe, out of the road and woods, and under control.  










John Alec Entwistle aka "The Ox" (1944-2002)



        Now that I am back on the Hum Trail, I promise to follow Gary Hutchinson's further investigations in Durham County (n.b., home county to The Great Paul Thompson, my very favorite drummer and his Roxy Music bandmate Bryan Ferry) and report back any news on this and related mystery auditory  and/or other phenomena.  







John Marin (1870-1953). Photographic portrait by Alfred Stieglitz and Edward Steichen, 1910.



        And in view of the current Buffalo Springfield reunion, it only seems appropriate to note that: "Something's happening here/ What it is ain't exactly clear" and, obviously, "Stop! What's That Sound?"








County Durham natives Bryan Ferry (l) and The Great Paul Thompson (r)


*With some slight fear of name-dropping, I thought I might mention that I also once shook hands with the great Byrds bass guitarist Chris Hillman and experienced the same effect.  You could literally feel both men's musical personality and psychology translating itself through their enormous, beautifully formed hands and expressive, unpretentiously bone-crushing grip.  If I'm ever able to meet and shake hands with Paul McCartney, Jack Casady, Aston "Family Man" Barrett or Robbie Shakespeare, and am still able to type following the hand-to-hand encounter, I promise to report back and update as necessary.

For another type of Hum, please see Here.

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